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Weapons' Box Office Triumph: Julia Garner's Horror Hit Shatters Expectations at $256M Worldwide

Sep 15

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Weapons' Box Office Triumph: Julia Garner's Horror Hit Shatters Expectations at $256M Worldwide

The Weapons' box office numbers reveal a breakout success story for Julia Garner's latest thriller, surging past $256 million globally just weeks after its August 8, 2025 release.


Directed by Zach Cregger, this original horror mystery about a teacher's class vanishing into the night has captivated audiences with its tense twists and stellar ensemble.


Garner shines as the beleaguered educator Justine, fueling buzz alongside co-stars Josh Brolin and Alden Ehrenreich. As the film climbs charts, these figures highlight why it's become 2025's sleeper sensation.


How Did Weapons Perform in Its Opening Weekend?


Weapons blasted onto screens with a commanding debut, pulling in $43.5 million domestically during its first three days. That haul included $18.2 million on opening day alone, boosted by $5.7 million in Thursday previews.


Globally, it raked in $70 million right out of the gate, securing the top spot and outpacing projections of $25 to $40 million. This strong start for an R-rated original horror flick, budgeted at around $38 million before marketing, set the tone for its legs.



What Are the Key Box Office Breakdowns So Far?


Fans and analysts alike are dissecting the splits that make Weapons tick. Here's a clear snapshot of its performance to date:

Category

Amount

Percentage of Worldwide

Notes

Domestic (US/Canada)

$145,576,801

56.8%

Crossed $100M in 14 days; now at $145.6M, second-highest horror of 2025 domestically behind Sinners.

International

$110,900,000

43.2%

Steady growth overseas, surpassing $100M recently; strong in key markets like Europe and Asia.

Worldwide

$256,476,801

100%

Nears $260M this weekend; edges out Jordan Peele's Us ($256M) on all-time horror lists.

These numbers, tracked via Box Office Mojo and The Numbers as of mid-September 2025, underscore the film's broad appeal.


Why Is Weapons Crushing It Compared to Other Horrors?


What sets Weapons apart in a crowded genre? It's outgrossed Final Destination: Bloodlines domestically ($139.1M vs. $138.1M), claiming second place among 2025 horrors behind only Sinners at $336.6M worldwide.


Unlike sequel-heavy hits, this original story echoes the raw pull of classics like Get Out or A Quiet Place, landing at No. 25 on the all-time highest-grossing horror films list after passing The Ring and The Blair Witch Project.


With a 81% Metascore and glowing reviews for Garner's "layered" turn, word-of-mouth has kept it thriving amid competition from The Conjuring: Last Rites.


How Has Julia Garner's Star Power Boosted the Numbers?


Julia Garner's magnetic presence as the vodka-sipping teacher under fire has been a game-changer. Fresh off Emmy nods, her role here mirrors the intensity that made her a breakout in Ozark, drawing crowds to this indie-feel horror.


Critics rave about her chemistry with Brolin's contractor dad, turning personal stakes into box office gold. Garner's dual summer wins, including Fantastic Four: First Steps, amplify her draw, proving she can anchor high-stakes thrillers while pushing Weapons toward profitability.


Some Closing Thoughts: What Does the Future Hold for Weapons at the Box Office?


As Weapons eyes $260 million this weekend, its momentum shows no signs of slowing despite a natural daily dip after five weeks.


International markets continue to deliver, with potential to hit $300 million if it mirrors Sinners' run.


Yet, heavyweights like Black Phone 2 loom, testing its staying power. Still, for an original R-rated scare fest, these figures scream long-term win, possibly teeing up Cregger's teased sequel.


In a year of franchise fatigue, Weapons proves fresh scares sell tickets.


Julia Garner's chilling performance and Cregger's audacious script have turned a $38 million bet into a $256 million juggernaut, reminding us why horror remains cinema's pulse-pounder.


Keep an eye on this one; it's not done haunting the charts yet.

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